Famous Love Poems – The 106 Best Love Poems Of All Time

What are the best love poems of all time? This list includes famous love poems such as “If You Forget Me,” “Sonnet 116,” “The Sun Rising,” and “To Althea from Prison.” The love poems on this list are read throughout the ages. They are passed from generation to generation and taught throughout school to young students. These great love poems are often shared with significant others as well.

Poetry is a very beautiful thing, love is also a wonderful thing. And when these two combine together becomes one. They have truly become quintessentials that have existed for thousands of years despite the changes in human history. Therefore, this list is not merely 106 written works. These are really melodious tunes that don’t even need to be musical. And this is the beauty of love, of ancient cultures that have converged over millennia.

After all, only love and beauty are timeless. So, immerse yourself in the beauty of words by enjoying the list of the 100 best love poems of all time below. They all capture the beauty and magic of true love and are written by some of the greatest poets. Even if you don’t have a romantic mind or a old-worldly soul and poetry is not your thing, the famous love poems here will still easily make your heart flutter. Hope you have beautiful moments on OZoFe.Com! Enjoy!

When I am with you, we stay up all night.
When you’re not here, I can’t go to sleep.
Praise God for these two insomnias!
And the difference between them.

Rumi

Come to the orchard in Spring.
There is light and wine, and sweethearts
In the pomegranate flowers.
If you do not come, these do not matter.
If you do come, these do not matter.

Rumi

1, Sonnet 116: “Let Me Not To The Marriage” © William Shakespeare

Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O, no! it is an ever-fixed mark,
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth’s unknown, although his height be taken.
Love’s not Time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.

2, “I Carry Your Heart With Me…” © E. E. Cummings

i carry your heart with me (i carry it in
my heart) i am never without it (anywhere
i go you go, my dear; and whatever is done
by only me is your doing, my darling)
i fear
no fate (for you are my fate, my sweet) i want
no world (for beautiful you are my world, my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life; which grows
higher than soul can hope or mind can hide)
and this is the wonder that’s keeping the stars apart

i carry your heart (i carry it in my heart)

3, Bright Star © John Keats

Bright star, would I were stedfast as thou art—
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature’s patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth’s human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors—
No—yet still stedfast, still unchangeable,
Pillow’d upon my fair love’s ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever—or else swoon to death.

4, I Love You © Ella Wheeler Wilcox

I love your lips when they’re wet with wine
And red with a wild desire;
I love your eyes when the lovelight lies
Lit with a passionate fire.
I love your arms when the warm white flesh
Touches mine in a fond embrace;
I love your hair when the strands enmesh
Your kisses against my face.

Not for me the cold, calm kiss
Of a virgin’s bloodless love;
Not for me the saint’s white bliss,
Nor the heart of a spotless dove.
But give me the love that so freely gives
And laughs at the whole world’s blame,
With your body so young and warm in my arms,
It sets my poor heart aflame.

So kiss me sweet with your warm wet mouth,
Still fragrant with ruby wine,
And say with a fervor born of the South
That your body and soul are mine.
Clasp me close in your warm young arms,
While the pale stars shine above,
And we’ll live our whole young lives away
In the joys of a living love.

5, If You Forget Me © Pablo Neruda

I want you to know
one thing.

You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.

Well, now,
if little by little you stop loving me
I shall stop loving you little by little.

If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.

If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.

But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.

6, Sonnet 43: “How Do I Love Thee?” © Elizabeth Barrett Browning

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.
I love thee to the level of every day’s
Most quiet need, by sun and candlelight.
I love thee freely, as men strive for right;
I love thee purely, as they turn from Praise.
I love with a passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints, I love thee with the breath,
Smiles, tears, of all my life! and, if God choose,
I shall but love thee better after death.

7, Sonnet 66: “I Do Not Love You Except…” © Pablo Neruda

I do not love you except because I love you;
I go from loving to not loving you,
From waiting to not waiting for you
My heart moves from cold to fire.

I love you only because it’s you the one I love;
I hate you deeply, and hating you
Bend to you, and the measure of my changing love for you
Is that I do not see you but love you blindly.

Maybe January light will consume
My heart with its cruel
Ray, stealing my key to true calm.

In this part of the story I am the one who
Dies, the only one, and I will die of love because I love you,
Because I love you, Love, in fire and blood.

8, Annabel Lee © Edgar Allan Poe

It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee;
And this maiden she lived with no other thought
Than to love and be loved by me.

I was a child and she was a child,
In this kingdom by the sea,
But we loved with a love that was more than love—
I and my Annabel Lee—
With a love that the wingèd seraphs of Heaven
Coveted her and me.

And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsmen came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.

The angels, not half so happy in Heaven,
Went envying her and me—
Yes!—that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love
Of those who were older than we—
Of many far wiser than we—
And neither the angels in Heaven above
Nor the demons down under the sea
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee;

For the moon never beams, without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling—my darling—my life and my bride,
In her sepulchre there by the sea—
In her tomb by the sounding sea.

9, A Red, Red Rose © Robert Burns

O my Luve’s like a red, red rose
That’s newly sprung in June;
O my Luve’s like the melodie
That’s sweetly play’d in tune.

As fair art thou, my bonnie lass,
So deep in luve am I:
And I will luve thee still, my dear,
Till a’ the seas gang dry:

Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun:
I will luve thee still, my dear,
While the sands o’ life shall run.

And fare thee well, my only Luve
And fare thee well, a while!
And I will come again, my Luve,
Tho’ it were ten thousand mile.

10, She Walks In Beauty © Lord Byron

She walks in Beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which Heaven to gaudy day denies.

One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.

And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!

11, Sonnet 18: “Shall I Compare Thee” © William Shakespeare

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed;
And every fair from fair sometime declines,
By chance, or nature’s changing course untrimmed.
But thy eternal summer shall not fade
Nor lose possession of that fair thou ow’st;
Nor shall death brag thou wand’rest in his shade,
When in eternal lines to time thou grow’st,
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.

12, When You Are Old © William Butler Yeats

When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;

And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.

13, Sonnet 45: “Don’t Go Far Off…” © Pablo Neruda

Don’t go far off, not even for a day, because —
because — I don’t know how to say it: a day is long
and I will be waiting for you, as in an empty station
when the trains are parked off somewhere else, asleep.

Don’t leave me, even for an hour, because
then the little drops of anguish will all run together,
the smoke that roams looking for a home will drift
into me, choking my lost heart.

Oh, may your silhouette never dissolve on the beach;
may your eyelids never flutter into the empty distance.
Don’t leave me for a second, my dearest,

because in that moment you’ll have gone so far
I’ll wander mazily over all the earth, asking,
Will you come back? Will you leave me here, dying?

14, I Am Not Yours © Sara Teasdale

I am not yours, not lost in you,
Not lost, although I long to be
Lost as a candle lit at noon,
Lost as a snowflake in the sea.

You love me, and I find you still
A spirit beautiful and bright,
Yet I am I, who long to be
Lost as a light is lost in light.

Oh plunge me deep in love – put out
My senses, leave me deaf and blind,
Swept by the tempest of your love,
A taper in a rushing wind.

15, Always Marry An April Girl © Ogden Nash

Praise the spells and bless the charms,
I found April in my arms.
April golden, April cloudy,
Gracious, cruel, tender, rowdy;
April soft in flowered languor,
April cold with sudden anger,
Ever changing, ever true —
I love April, I love you.

16, When We Two Parted © Lord Byron

When we two parted
In silence and tears,
Half broken-hearted
To sever for years,
Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this.

The dew of the morning
Sunk chill on my brow—
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame;
I hear thy name spoken,
And share in its shame.

They name thee before me,
A knell to mine ear;
A shudder comes o’er me—
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well—
Long, long shall I rue thee,
Too deeply to tell.

In secret we met—
In silence I grieve,
That thy heart could forget,
Thy spirit deceive.
If I should meet thee
After long years,
How should I greet thee?—
With silence and tears.

17, Love’s Coming © Ella Wheeler Wilcox

She had looked for his coming as warriors come,
With the clash of arms and the bugle’s call;
But he came instead with a stealthy tread,
Which she did not hear at all.

She had thought how his armor would blaze in the sun,
As he rode like a prince to claim his bride:
In the sweet dim light of the falling night
She found him at her side.

She had dreamed how the gaze of his strange, bold eye
Would wake her heart to a sudden glow:
She found in his face the familiar grace
Of a friend she used to know.

She had dreamed how his coming would stir her soul,
As the ocean is stirred by the wild storm’s strife:
He brought her the balm of a heavenly calm,
And a peace which crowned her life.

18, The Passionate Shepherd To His Love © Christopher Marlowe

Come live with me and be my love,
And we will all the pleasures prove
That valleys, groves, hills, and fields,
Woods, or steepy mountain yields.

And we will sit upon the rocks,
Seeing the shepherds feed their flocks,
By shallow rivers to whose falls
Melodious birds sing madrigals.

And I will make thee beds of roses
And a thousand fragrant posies,
A cap of flowers, and a kirtle
Embroidered all with leaves of myrtle;

A gown made of the finest wool
Which from our pretty lambs we pull;
Fair lined slippers for the cold,
With buckles of the purest gold;

A belt of straw and ivy buds,
With coral clasps and amber studs:
And if these pleasures may thee move,
Come live with me, and be my love.

The shepherds’ swains shall dance and sing
For thy delight each May morning:
If these delights thy mind may move,
Then live with me and be my love.

19, A Dream Girl © Carl Sandburg

You will come one day in a waver of love,
Tender as dew, impetuous as rain,
The tan of the sun will be on your skin,
The purr of the breeze in your murmuring speech,
You will pose with a hill-flower grace.

You will come, with your slim, expressive arms,
A poise of the head no sculptor has caught
And nuances spoken with shoulder and neck,
Your face in pass-and-repass of moods
As many as skies in delicate change
Of cloud and blue and flimmering sun.

Yet,
You may not come, O girl of a dream,
We may but pass as the world goes by
And take from a look of eyes into eyes,
A film of hope and a memoried day.

20, Sonnet 14: “If Thou Must Love Me” © Elizabeth Barrett Browning

If thou must love me, let it be for nought
Except for love’s sake only. Do not say
I love her for her smile … her look … her way
Of speaking gently, … for a trick of thought
That falls in well with mine, and certes brought
A sense of pleasant ease on such a day’—
For these things in themselves, Beloved, may
Be changed, or change for thee,—and love, so wrought,
May be unwrought so. Neither love me for
Thine own dear pity’s wiping my cheeks dry,—
A creature might forget to weep, who bore
Thy comfort long, and lose thy love thereby!
But love me for love’s sake, that evermore
Thou may’st love on, through love’s eternity.

21, A Valentine © Edgar Allan Poe

For her this rhyme is penned, whose luminous eyes,
Brightly expressive as the twins of Loeda,
Shall find her own sweet name, that, nestling lies
Upon the page, enwrapped from every reader.
Search narrowly the lines!—they hold a treasure
Divine—a talisman—an amulet
That must be worn at heart. Search well the measure—
The words—the syllables! Do not forget
The trivialest point, or you may lose your labor!
And yet there is in this no Gordian knot

Which one might not undo without a sabre,
If one could merely comprehend the plot.
Enwritten upon the leaf where now are peering
Eyes scintillating soul, there lie perdus
Three eloquent words oft uttered in the hearing
Of poets, by poets—as the name is a poet’s, too.
Its letters, although naturally lying
Like the knight Pinto—Mendez Ferdinando—
Still form a synonym for Truth—Cease trying!
You will not read the riddle, though you do the best you can do.

22, Sylvia © George Etherege

The Nymph that undoes me, is fair and unkind;
No less than a wonder by Nature designed.
She’s the grief of my heart, the joy of my eye;
And the cause of a flame that never can die!

Her mouth, from whence wit still obligingly flows,
Has the beautiful blush, and the smell, of the rose.
Love and Destiny both attend on her will;
She wounds with a look; with a frown, she can kill!

The desperate Lover can hope no redress;
Where Beauty and Rigour are both in excess!
In Sylvia they meet; so unhappy am I!
Who sees her, must love; and who loves her, must die!

23, “Somewhere I Have Never Travelled…” © E. E. Cummings

somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully, mysteriously)her first rose

or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands

24, Advice To A Girl © Sara Teasdale

No one worth possessing
Can be quite possessed;
Lay that on your heart,
My young angry dear;
This truth, this hard and precious stone,
Lay it on your hot cheek,
Let it hide your tear.
Hold it like a crystal
When you are alone
And gaze in the depths of the icy stone.
Long, look long and you will be blessed:
No one worth possessing
Can be quite possessed.

25, Mad Girl’s Love Song © Sylvia Plath

“I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell’s fires fade:
Exit seraphim and Satan’s men:
I shut my eyes and all the world drops dead.

I fancied you’d return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)”

26, Drunk As Drunk © Pablo Neruda

Drunk as drunk on turpentine
From your open kisses,
Your wet body wedged
Between my wet body and the strake
Of our boat that is made of flowers,
Feasted, we guide it – our fingers
Like tallows adorned with yellow metal –
Over the sky’s hot rim,
The day’s last breath in our sails.

Pinned by the sun between solstice
And equinox, drowsy and tangled together
We drifted for months and woke
With the bitter taste of land on our lips,
Eyelids all sticky, and we longed for lime
And the sound of a rope
Lowering a bucket down its well. Then,
We came by night to the Fortunate Isles,
And lay like fish
Under the net of our kisses.

27, To His Coy Mistress © Andrew Marvell

Had we but World enough, and Time,
This coyness Lady were no crime.
We would sit down, and think which way
To walk, and pass our long Loves Day.
Thou by the Indian Ganges side.
Should’st Rubies find: I by the Tide
Of Humber would complain. I would
Love you ten years before the Flood:
And you should if you please refuse
Till the Conversion of the Jews.
My vegetable Love should grow
Vaster then Empires, and more slow.
An hundred years should go to praise
Thine Eyes, and on thy Forehead Gaze.
Two hundred to adore each Breast.
But thirty thousand to the rest.
An Age at least to every part,
And the last Age should show your Heart.
For Lady you deserve this State;
Nor would I love at lower rate.
But at my back I alwaies hear
Times winged Charriot hurrying near:
And yonder all before us lye
Desarts of vast Eternity.
Thy Beauty shall no more be found;
Nor, in thy marble Vault, shall sound
My ecchoing Song: then Worms shall try
That long preserv’d Virginity:
And your quaint Honour turn to durst;
And into ashes all my Lust.
The Grave’s a fine and private place,
But none I think do there embrace.
Now therefore, while the youthful hew
Sits on thy skin like morning glew,
And while thy willing Soul transpires
At every pore with instant Fires,
Now let us sport us while we may;
And now, like am’rous birds of prey,
Rather at once our Time devour,
Than languish in his slow-chapt pow’r.
Let us roll all our Strength, and all
Our sweetness, up into one Ball:
And tear our Pleasures with rough strife,
Thorough the Iron gates of Life.
Thus, though we cannot make our Sun
Stand still, yet we will make him run.

28, “Whoso List To Hunt…” © Sir Thomas Wyatt

Whoso list to hunt, I know where is an hind,
But as for me, hélas, I may no more.
The vain travail hath wearied me so sore,
I am of them that farthest cometh behind.
Yet may I by no means my wearied mind
Draw from the deer, but as she fleeth afore
Fainting I follow. I leave off therefore,
Sithens in a net I seek to hold the wind.
Who list her hunt, I put him out of doubt,
As well as I may spend his time in vain.
And graven with diamonds in letters plain
There is written, her fair neck round about:
Noli me tangere, for Caesar’s I am,
And wild for to hold, though I seem tame.

29, A Broken Appointment © Thomas Hardy

You did not come,
And marching Time drew on, and wore me numb,—
Yet less for loss of your dear presence there
Than that I thus found lacking in your make
That high compassion which can overbear
Reluctance for pure lovingkindness’ sake
Grieved I, when, as the hope-hour stroked its sum,
You did not come.

You love not me,
And love alone can lend you loyalty;
–I know and knew it. But, unto the store
Of human deeds divine in all but name,
Was it not worth a little hour or more
To add yet this: Once you, a woman, came
To soothe a time-torn man; even though it be
You love not me?

30, Love After Love © Derek Walcott

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other’s welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

31, Remember © Christina Rossetti

Remember me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go yet turning stay.
Remember me when no more day by day
You tell me of our future that you plann’d:
Only remember me; you understand
It will be late to counsel then or pray.
Yet if you should forget me for a while
And afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad.

32, Sonnets 17: I Don’t Love You As If You” © Pablo Neruda

I don’t love you as if you were a rose of salt, topaz,
or arrow of carnations that propagate fire:
I love you as one loves certain obscure things,
secretly, between the shadow and the soul.

I love you as the plant that doesn’t bloom but carries
the light of those flowers, hidden, within itself,
and thanks to your love the tight aroma that arose
from the earth lives dimly in my body.

I love you without knowing how, or when, or from where,
I love you directly without problems or pride:
I love you like this because I don’t know any other way to love,
except in this form in which I am not nor are you,
so close that your hand upon my chest is mine,
so close that your eyes close with my dreams.

33, Love © Samuel Taylor Coleridge

All thoughts, all passions, all delights,
Whatever stirs this mortal frame,
All are but ministers of Love,
And feed his sacred flame.

Oft in my waking dreams do I
Live o’er again that happy hour,
When midway on the mount I lay,
Beside the ruined tower.

The moonshine, stealing o’er the scene
Had blended with the lights of eve;
And she was there, my hope, my joy,
My own dear Genevieve!

She leant against the arm{‘e}d man,
The statue of the arm{‘e}d knight;
She stood and listened to my lay,
Amid the lingering light.

Few sorrows hath she of her own,
My hope! my joy! my Genevieve!
She loves me best, whene’er I sing
The songs that make her grieve.

I played a soft and doleful air,
I sang an old and moving story—
An old rude song, that suited well
That ruin wild and hoary.

She listened with a flitting blush,
With downcast eyes and modest grace;
For well she knew, I could not choose
But gaze upon her face.

I told her of the Knight that wore
Upon his shield a burning brand;
And that for ten long years he wooed
The Lady of the Land.

I told her how he pined: and ah!
The deep, the low, the pleading tone
With which I sang another’s love,
Interpreted my own.

She listened with a flitting blush,
With downcast eyes, and modest grace;
And she forgave me, that I gazed
Too fondly on her face!

But when I told the cruel scorn
That crazed that bold and lovely Knight,
And that he crossed the mountain-woods,
Nor rested day nor night;

That sometimes from the savage den,
And sometimes from the darksome shade,
And sometimes starting up at once
In green and sunny glade,—

There came and looked him in the face
An angel beautiful and bright;
And that he knew it was a Fiend,
This miserable Knight!

And that unknowing what he did,
He leaped amid a murderous band,
And saved from outrage worse than death
The Lady of the Land!

And how she wept, and clasped his knees;
And how she tended him in vain—
And ever strove to expiate
The scorn that crazed his brain;—

And that she nursed him in a cave;
And how his madness went away,
When on the yellow forest-leaves
A dying man he lay;—

His dying words—but when I reached
That tenderest strain of all the ditty,
My faltering voice and pausing harp
Disturbed her soul with pity!

All impulses of soul and sense
Had thrilled my guileless Genevieve;
The music and the doleful tale,
The rich and balmy eve;

And hopes, and fears that kindle hope,
An undistinguishable throng,
And gentle wishes long subdued,
Subdued and cherished long!

She wept with pity and delight,
She blushed with love, and virgin-shame;
And like the murmur of a dream,
I heard her breathe my name.

Her bosom heaved—she stepped aside,
As conscious of my look she stepped—
Then suddenly, with timorous eye
She fled to me and wept.

She half enclosed me with her arms,
She pressed me with a meek embrace;
And bending back her head, looked up,
And gazed upon my face.

‘Twas partly love, and partly fear,
And partly ’twas a bashful art,
That I might rather feel, than see,
The swelling of her heart.

I calmed her fears, and she was calm,
And told her love with virgin pride;
And so I won my Genevieve,
My bright and beauteous Bride.

34, Love’s Philosophy © Percy Bysshe Shelley

The fountains mingle with the river
And the rivers with the ocean,
The winds of heaven mix for ever
With a sweet emotion;
Nothing in the world is single;
All things by a law divine
In one spirit meet and mingle.
Why not I with thine?—

See the mountains kiss high heaven
And the waves clasp one another;
No sister-flower would be forgiven
If it disdained its brother;
And the sunlight clasps the earth
And the moonbeams kiss the sea:
What is all this sweet work worth
If thou kiss not me?

35, Sonnet 61: “Since There’s No Help…” © Michael Drayton

Since there’s no help, come let us kiss and part.
Nay, I have done, you get no more of me;
And I am glad, yea glad with all my heart,
That thus so cleanly I myself can free.
Shake hands for ever, cancel all our vows,
And when we meet at any time again,
Be it not seen in either of our brows
That we one jot of former love retain.
Now at the last gasp of Love’s latest breath,
When, his pulse failing, Passion speechless lies;
When Faith is kneeling by his bed of death,
And Innocence is closing up his eyes—
Now, if thou wouldst, when all have given him over,
From death to life thou might’st him yet recover!

36, The Good-Morrow © John Donne

I wonder, by my truth, what thou and I
Did, till we loved; were we not weaned till then,
But sucked on country pleasures, childishly?
Or snorted we in the Seven Sleepers’ den?
‘Twas so; but this, all pleasures fancies be.
If ever any beauty I did see,
Which I desired, and got, ’twas but a dream of thee.

And now good morrow to our waking souls,
Which watch not one another out of fear;
For love, all love of other sights controls,
And makes one little room, an everywhere.
Let sead discoveries to new worlds have gone,
Let maps to others, worlds on worlds have shown,
Let us possess our world; each hath one and is one.

My face in thine eye, thine in mine appears,
And true plain hearts do in the faces rest;
Where can we find two better hemispheres,
Without sharp North, without declining West?
Whatever dies, was not mixed equally;
If our two loves be one; or thou and I
Love so alike that none do slacken, none can die.

37, Sonnet 130: “My Mistress’ Eyes Are” © William Shakespeare

My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks,
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know,
That music hath a far more pleasing sound.
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.

38, Sonnet 12: “Carnal Apple, Woman Filled…” © Pablo Neruda

Carnal apple, Woman filled, burning moon,
dark smell of seaweed, crush of mud and light,
what secret knowledge is clasped between your pillars?
What primal night does Man touch with his senses?
Ay, Love is a journey through waters and stars,
through suffocating air, sharp tempests of grain:
Love is a war of lightning,
and two bodies ruined by a single sweetness.
Kiss by kiss I cover your tiny infinity,
your margins, your rivers, your diminutive villages,
and a genital fire, transformed by delight,
slips through the narrow channels of blood
to precipitate a nocturnal carnation,
to be, and be nothing but light in the dark

39, Love Is… © Adrian Henri

Love is feeling cold in the back of vans
Love is a fanclub with only two fans
Love is walking holding paintstained hands
Love is

Love is fish and chips on winter nights
Love is blankets full of strange delights
Love is when you don’t put out the light
Love is

Love is the presents in Christmas shops
Love is when you’re feeling Top of the Pops
Love is what happens when the music stops
Love is

Love is white panties lying all forlorn
Love is a pink nightdress still slightly warm
Love is when you have to leave at dawn
Love is

Love is you and love is me
Love is a prison and love is free
Love’s what’s there when you’re away from me
Love is…

40, A Drinking Song © William Butler Yeats

Wine comes in at the mouth
And love comes in at the eye;
That’s all we shall know for truth
Before we grow old and die.
I lift the glass to my mouth,
I look at you, and I sigh.

41, A Valediction: Forbidding Mourning © John Donne

As virtuous men pass mildly away,
And whisper to their souls to go,
Whilst some of their sad friends do say,
“The breath goes now,” and some say, “No,”

So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move;
‘Twere profanation of our joys
To tell the laity our love.

Moving of the earth brings harms and fears,
Men reckon what it did and meant;
But trepidation of the spheres,
Though greater far, is innocent.

Dull sublunary lovers’ love
(Whose soul is sense) cannot admit
Absence, because it doth remove
Those things which elemented it.

But we, by a love so much refined
That our selves know not what it is,
Inter-assured of the mind,
Care less, eyes, lips, and hands to miss.

Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion.
Like gold to airy thinness beat.

If they be two, they are two so
As stiff twin compasses are two:
Thy soul, the fixed foot, makes no show
To move, but doth, if the other do;

And though it in the center sit,
Yet when the other far doth roam,
It leans, and hearkens after it,
And grows erect, as that comes home.

Such wilt thou be to me, who must,
Like the other foot, obliquely run;
Thy firmness makes my circle just,
And makes me end where I begun.

42, A White Rose © John Boyle O’Reilly

The red rose whispers of passion,
And the white rose breathes of love;
O, the red rose is a falcon,
And the white rose is a dove.

But I send you a cream-white rosebud
With a flush on its petal tips;
For the love that is purest and sweetest
Has a kiss of desire on the lips

43, Wild Nights! Wild Nights! © Emily Dickinson

Wild Nights! Wild Nights!
Were I with thee,
Wild Nights should be
Our luxury!

Futile the winds
To a heart in port, —
Done with the compass,
Done with the chart!

Rowing in Eden!
Ah! the sea!
Might I but moor
To-night in Thee!

44, The Sun Rising © John Donne

Busy old fool, unruly sun,
Why dost thou thus,
Through windows, and through curtains call on us?
Must to thy motions lovers’ seasons run?
Saucy pedantic wretch, go chide
Late school boys and sour prentices,
Go tell court huntsmen that the king will ride,
Call country ants to harvest offices,
Love, all alike, no season knows nor clime,
Nor hours, days, months, which are the rags of time.

Thy beams, so reverend and strong
Why shouldst thou think?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long;
If her eyes have not blinded thine,
Look, and tomorrow late, tell me,
Whether both th’ Indias of spice and mine
Be where thou leftst them, or lie here with me.
Ask for those kings whom thou saw’st yesterday,
And thou shalt hear: “All here in one bed lay.”

She’s all states, and all princes, I,
Nothing else is.
Princes do but play us; compared to this,
All honor’s mimic, all wealth alchemy.
Thou, sun, art half as happy as we,
In that the world’s contracted thus.
Thine age asks ease, and since thy duties be
To warm the world, that’s done in warming us.
Shine here to us, and thou art everywhere;
This bed thy center is, these walls, thy sphere.

45, Sonnet 89: “When I Die I Want” © Pablo Neruda

When I die I want your hands on my eyes:
I want the light and the wheat of your beloved hands
to pass their freshness over me one more time
to feel the smoothness that changed my destiny.

I want you to live while I wait for you, asleep,
I want for your ears to go on hearing the wind,
for you to smell the sea that we loved together
and for you to go on walking the sand where we walked.

I want for what I love to go on living
and as for you I loved you and sang you above everything,
for that, go on flowering, flowery one,

so that you reach all that my love orders for you,
so that my shadow passes through your hair,
so that they know by this the reason for my song.

46, I Loved You © Alexander Pushkin

I loved you, and I probably still do,
And for a while the feeling may remain…
But let my love no longer trouble you,
I do not wish to cause you any pain.

I loved you; and the hopelessness I knew,
The jealousy, the shyness – though in vain –
Made up a love so tender and so true
As may God grant you to be loved again.

47, Who Ever Loved That Loved Not At First Sight? © Christopher Marlowe

It lies not in our power to love or hate,
For will in us is overruled by fate.
When two are stripped, long ere the course begin,
We wish that one should love, the other win;

And one especially do we affect
Of two gold ingots, like in each respect:
The reason no man knows; let it suffice
What we behold is censured by our eyes.
Where both deliberate, the love is slight:
Who ever loved, that loved not at first sight?

48, When I Too Long Have Looked Upon Your Face © Edna St. Vincent Millay

When I too long have looked upon your face,
Wherein for me a brightness unobscured
Save by the mists of brightness has its place,
And terrible beauty not to be endured,
I turn away reluctant from your light,
And stand irresolute, a mind undone,
A silly, dazzled thing deprived of sight
From having looked too long upon the sun.
Then is my daily life a narrow room
In which a little while, uncertainly,
Surrounded by impenetrable gloom,
Among familiar things grown strange to me
Making my way, I pause, and feel, and hark,
Till I become accustomed to the dark.

49, Unending Love © Rabindranath Tagore

I seem to have loved you in numberless forms, numberless times…
In life after life, in age after age, forever.
My spellbound heart has made and remade the necklace of songs,
That you take as a gift, wear round your neck in your many forms,
In life after life, in age after age, forever.

Whenever I hear old chronicles of love, it’s age-old pain,
It’s ancient tale of being apart or together.
As I stare on and on into the past, in the end you emerge,
Clad in the light of a pole-star piercing the darkness of time:
You become an image of what is remembered forever.

You and I have floated here on the stream that brings from the fount.
At the heart of time, love of one for another.
We have played along side millions of lovers, shared in the same
Shy sweetness of meeting, the same distressful tears of farewell-
Old love but in shapes that renew and renew forever.

Today it is heaped at your feet, it has found its end in you
The love of all man’s days both past and forever:
Universal joy, universal sorrow, universal life.
The memories of all loves merging with this one love of ours –
And the songs of every poet past and forever.

50, Romantics © Lisel Mueller

Johannes Brahms and
Clara Schumann

The modern biographers worry
“how far it went,” their tender friendship.
They wonder just what it means
when he writes he thinks of her constantly,
his guardian angel, beloved friend.
The modern biographers ask
the rude, irrelevant question
of our age, as if the event
of two bodies meshing together
establishes the degree of love,
forgetting how softly Eros walked
in the nineteenth-century, how a hand
held overlong or a gaze anchored
in someone’s eyes could unseat a heart,
and nuances of address not known
in our egalitarian language
could make the redolent air
tremble and shimmer with the heat
of possibility. Each time I hear
the Intermezzi, sad
and lavish in their tenderness,
I imagine the two of them
sitting in a garden
among late-blooming roses
and dark cascades of leaves,
letting the landscape speak for them,
leaving us nothing to overhear.

51, Good Bones © Maggie Smith

Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.

52, Song: To Celia © Ben Jonson

Drink to me only with thine eyes,
And I will pledge with mine;
Or leave a kiss but in the cup,
And I’ll not look for wine.
The thirst that from the soul doth rise
Doth ask a drink divine;
But might I of Jove’s nectar sup,
I would not change for thine.

I sent thee late a rosy wreath,
Not so much honouring thee
As giving it a hope, that there
It could not withered be.
But thou thereon didst only breathe,
And sent’st it back to me;
Since when it grows, and smells, I swear,
Not of itself, but thee.

53, Sonnet 147: “My Love Is As A Fever” © William Shakespeare

My love is as a fever, longing still
For that which longer nurseth the disease,
Feeding on that which doth preserve the ill,
Th’ uncertain sickly appetite to please.
My reason, the physician to my love,
Angry that his prescriptions are not kept,
Hath left me, and I desperate now approve
Desire is death, which physic did except.
Past cure I am, now reason is past care,
And frantic-mad with evermore unrest;
My thoughts and my discourse as mad men’s are,
At random from the truth vainly expressed.
For I have sworn thee fair, and thought thee bright,
Who art as black as hell, as dark as night.

54, To My Valentine © Ogden Nash

More than a catbird hates a cat,
Or a criminal hates a clue,
Or the Axis hates the United States,
That’s how much I love you.

I love you more than a duck can swim,
And more than a grapefruit squirts,
I love you more than a gin rummy is a bore,
And more than a toothache hurts.

As a shipwrecked sailor hates the sea,
Or a juggler hates a shove,
As a hostess detests unexpected guests,
That’s how much you I love.

I love you more than a wasp can sting,
And more than the subway jerks,
I love you as much as a beggar needs a crutch,
And more than a hangnail irks.

I swear to you by the stars above,
And below, if such there be,
As the High Court loathes perjurious oathes,
That’s how you’re loved by me.

55, Rondel Of Merciless Beauty © Geoffrey Chaucer

Your two great eyes will slay me suddenly;
Their beauty shakes me who was once serene;
Straight through my heart the wound is quick and keen.

Only your word will heal the injury
To my hurt heart, while yet the wound is clean –
Your two great eyes will slay me suddenly;
Their beauty shakes me who was once serene.

Upon my word, I tell you faithfully
Through life and after death you are my queen;
For with my death the whole truth shall be seen.
Your two great eyes will slay me suddenly;
Their beauty shakes me who was once serene;
Straight through my heart the wound is quick and keen.

56, Sonnet 11: “I Crave Your Mouth” © Pablo Neruda

I crave your mouth, your voice, your hair.
Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps.

I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.

I want to eat the sunbeam flaring in your lovely body,
the sovereign nose of your arrogant face,
I want to eat the fleeting shade of your lashes,

and I pace around hungry, sniffing the twilight,
hunting for you, for your hot heart,
like a puma in the barrens of Quitratue.

57, Love’s Language © Ella Wheeler Wilcox

How does Love speak?
In the faint flush upon the telltale cheek,
And in the pallor that succeeds it; by
The quivering lid of an averted eye—
The smile that proves the parent to a sigh
Thus doth Love speak.

How does Love speak?
By the uneven heart-throbs, and the freak
Of bounding pulses that stand still and ache,
While new emotions, like strange barges, make
Along vein-channels their disturbing course;
Still as the dawn, and with the dawn’s swift force—
Thus doth Love speak.

How does Love speak?
In the avoidance of that which we seek—
The sudden silence and reserve when near—
The eye that glistens with an unshed tear—
The joy that seems the counterpart of fear,
As the alarmed heart leaps in the breast,
And knows, and names, and greets its godlike guest—
Thus doth Love speak.

How does Love speak?
In the proud spirit suddenly grown meek—
The haughty heart grown humble; in the tender
And unnamed light that floods the world with splendor;
In the resemblance which the fond eyes trace
In all fair things to one beloved face;
In the shy touch of hands that thrill and tremble;
In looks and lips that can no more dissemble—
Thus doth Love speak.

How does Love speak?
In the wild words that uttered seem so weak
They shrink ashamed in silence; in the fire
Glance strikes with glance, swift flashing high and higher,
Like lightnings that precede the mighty storm;
In the deep, soulful stillness; in the warm,
Impassioned tide that sweeps through throbbing veins,
Between the shores of keen delights and pains;
In the embrace where madness melts in bliss,
And in the convulsive rapture of a kiss—
Thus doth Love speak.

58, At Last © Elizabeth Akers Allen

At last, when all the summer shine
That warmed life’s early hours is past,
Your loving fingers seek for mine
And hold them close–at last–at last!
Not oft the robin comes to build
Its nest upon the leafless bough
By autumn robbed, by winter chilled,–
But you, dear heart, you love me now.

Though there are shadows on my brow
And furrows on my cheek, in truth,–
The marks where Time’s remorseless plough
Broke up the blooming sward of Youth,–
Though fled is every girlish grace
Might win or hold a lover’s vow,
Despite my sad and faded face,
And darkened heart, you love me now!

I count no more my wasted tears;
They left no echo of their fall;
I mourn no more my lonesome years;
This blessed hour atones for all.
I fear not all that Time or Fate
May bring to burden heart or brow,–
Strong in the love that came so late,
Our souls shall keep it always now!

59, That I Did Always Love © Emily Dickinson

That I did always love
I bring thee Proof
That till I loved
I never lived—Enough—

That I shall love alway—
I argue thee
That love is life—
And life hath Immortality—

This—dost thou doubt—Sweet—
Then have I
Nothing to show
But Calvary—

60, A Glimpse © Walt Whitman

A glimpse through an interstice caught,
Of a crowd of workmen and drivers in a bar-room around the stove late of a winter night, and I unremark’d seated in a corner,
Of a youth who loves me and whom I love, silently approaching and seating himself near, that he may hold me by the hand,
A long while amid the noises of coming and going, of drinking and oath and smutty jest,
There we two, content, happy in being together, speaking little, perhaps not a word.

61, All Love Letters Are © Fernando Pessoa

All love letters are
Ridiculous.
They wouldn’t be love letters if they weren’t
Ridiculous.

In my time I also wrote love letters
Equally, inevitably
Ridiculous.

Love letters, if there’s love,
Must be
Ridiculous.

But in fact
Only those who’ve never written
Love letters
Are
Ridiculous.

If only I could go back
To when I wrote love letters
Without thinking how
Ridiculous.

The truth is that today
My memories
Of those love letters
Are what is
Ridiculous.

(All more-than-three-syllabe words,
Along with uncountable feelings,
Are naturally
Ridiculous.)

62, I Wanna Be Yours © John Cooper Clarke

I wanna be your vacuum cleaner
Breathing in your dust
I wanna be your Ford Cortina
I will never rust
If you like your coffee hot
Let me be your coffee pot
You call the shots
I wanna be yours

I wanna be your raincoat
For those frequent rainy days
I wanna be your dreamboat
When you want to sail away
Let me be your teddy bear
Take me with you anywhere
I don’t care
I wanna be yours

I wanna be your electric meter
I will not run out
I wanna be the electric heater
You’ll get cold without
I wanna be your setting lotion
Hold your hair in deep devotion
Deep as the deep Atlantic ocean
That’s how deep is my devotion

63, When We Are Old… © Edna St. Vincent Millay

When we are old and these rejoicing veins
Are frosty channels to a muted stream,
And out of all our burning their remains
No feeblest spark to fire us, even in dream,
This be our solace: that it was not said
When we were young and warm and in our prime,
Upon our couch we lay as lie the dead,
Sleeping away the unreturning time.
O sweet, O heavy-lidded, O my love,
When morning strikes her spear upon the land,
And we must rise and arm us and reprove
The insolent daylight with a steady hand,
Be not discountenanced if the knowing know
We rose from rapture but an hour ago.

64, Amoretti — Sonnet 75 © Edmund Spenser

One day I wrote her Name upon the Strand,
But came the Waves and washed it away:
Again, I wrote it with a second Hand,
But came the Tide, and made my Pains his Prey.
Vain Man, said she, that doost in vain assay
A mortal thing so to immortalize;
For I my self shall like to this decay,
And eke my Name be wiped out likewise.
Not so, quoth I, let baser things devise
To die in Dust, but you shall live by Fame;
Verse your Vertues rare shall eternize,
And in the Heavens write your glorious Name.
Where, whenas Death shall all the World subdew,
Our Love shall live, and later Life renew.

65, Another Valentine © Wendy Cope

Today we are obliged to be romantic
And think of yet another valentine.
We know the rules and we are both pedantic:
Today’s the day we have to be romantic.
Our love is old and sure, not new and frantic.
You know I’m yours and I know you are mine.
And saying that has made me feel romantic,
My dearest love, my darling valentine.

66, Always For The First Time © Andre Breton

Always for the first time
Hardly do I know you by sight
You return at some hour of the night to a house at an angle to my window
A wholly imaginary house
It is there that from one second to the next
In the inviolate darkness
I anticipate once more the fascinating rift occurring
The one and only rift
In the facade and in my heart
The closer I come to you
In reality
The more the key sings at the door of the unknown room
Where you appear alone before me
At first you coalesce entirely with the brightness
The elusive angle of a curtain
It’s a field of jasmine I gazed upon at dawn on a road in the vicinity of Grasse
With the diagonal slant of its girls picking
Behind them the dark falling wing of the plants stripped bare
Before them a T-square of dazzling light
The curtain invisibly raised
In a frenzy all the flowers swarm back in
It is you at grips with that too long hour never dim enough until sleep
You as though you could be
The same except that I shall perhaps never meet you
You pretend not to know I am watching you
Marvelously I am no longer sure you know
You idleness brings tears to my eyes
A swarm of interpretations surrounds each of your gestures
It’s a honeydew hunt
There are rocking chairs on a deck there are branches that may well scratch you in the forest
There are in a shop window in the rue Notre-Dame-de-Lorette
Two lovely crossed legs caught in long stockings
Flaring out in the center of a great white clover
There is a silken ladder rolled out over the ivy
There is
By my leaning over the precipice
Of your presence and your absence in hopeless fusion
My finding the secret
Of loving you
Always for the first time

67, Music, When Soft Voices Die © Percy Bysshe Shelley

Music, when soft voices die,
Vibrates in the memory—
Odours, when sweet violets sicken,
Live within the sense they quicken.

Rose leaves, when the rose is dead,
Are heaped for the belovèd’s bed;
And so thy thoughts, when thou art gone,
Love itself shall slumber on.

68, Sonnet 49: “It’s Today: All Of Yesterday…” © Pablo Neruda

It’s today: all of yesterday dropped away
among the fingers of the light and the sleeping eyes.
Tomorrow will come on its green footsteps;
no one can stop the river of the dawn.

No one can stop the river of your hands,
your eyes and their sleepiness, my dearest.
You are the trembling of time, which passes
between the vertical light and the darkening sky.

The sky folds its wings over you,
lifting you, carrying you to my arms
with its punctual, mysterious courtesy.
That is why I sing to the day and to the moon,
to the sea, to time, to all the planets,
to your daily voice, to your nocturnal skin.

It’s today: all of yesterday dropped away
among the fingers of the light and the sleeping eyes.
Tomorrow will come on its green footsteps;
no one can stop the river of the dawn.

It’s today, it’s today…

69, To Be In Love © Gwendolyn Brooks

To be in love
Is to touch with a lighter hand.
In yourself you stretch, you are well.
You look at things
Through his eyes.
A cardinal is red.
A sky is blue.
Suddenly you know he knows too.
He is not there but
You know you are tasting together
The winter, or a light spring weather.
His hand to take your hand is overmuch.
Too much to bear.
You cannot look in his eyes
Because your pulse must not say
What must not be said.
When he
Shuts a door—
Is not there—
Your arms are water.
And you are free
With a ghastly freedom.
You are the beautiful half
Of a golden hurt.
You remember and covet his mouth
To touch, to whisper on.
Oh when to declare
Is certain Death!
Oh when to apprize
Is to mesmerize,
To see fall down, the Column of Gold,
Into the commonest ash.

70, Again And Again © Rainer Maria Rilke

Again and again, however we know the landscape of love
and the little churchyard there, with its sorrowing names,
and the frighteningly silent abyss into which the others
fall: again and again the two of us walk out together
under the ancient trees, lie down again and again
among the flowers, face to face with the sky.

71, Valentine © Carol Ann Duffy

Not a red rose or a satin heart.

I give you an onion.
It is a moon wrapped in brown paper.
It promises light
like the careful undressing of love.

Here.
It will blind you with tears
like a lover.
It will make your reflection
a wobbling photo of grief.

I am trying to be truthful.

Not a cute card or a kissogram.

I give you an onion.
Its fierce kiss will stay on your lips,
possessive and faithful
as we are,
for as long as we are.

Take it.
Its platinum loops shrink to a wedding-ring,
if you like.

Lethal.
Its scent will cling to your fingers,
cling to your knife.

72, Before You Came © Faiz Ahmed Faiz

Before you came things were just what they were:
the road precisely a road, the horizon fixed,
the limit of what could be seen,
a glass of wine was no more than a glass of wine.

With you the world took on the spectrum
radiating from my heart: your eyes gold
as they open to me, slate the color
that falls each time I lost all hope.

With your advent roses burst into flame:
you were the artist of dried-up leaves, sorceress
who flicked her wrist to change dust into soot.
You lacquered the night black.

As for the sky, the road, the cup of wine:
one was my tear-drenched shirt,
the other an aching nerve,
the third a mirror that never reflected the same thing.

Now you are here again—stay with me.
This time things will fall into place;
the road can be the road,
the sky nothing but sky;
the glass of wine, as it should be, the glass of wine.

73, Variations On The Word Love © Margaret Atwood

This is a word we use to plug
holes with. It’s the right size for those warm
blanks in speech, for those red heart-
shaped vacancies on the page that look nothing
like real hearts. Add lace
and you can sell
it. We insert it also in the one empty
space on the printed form
that comes with no instructions. There are whole
magazines with not much in them
but the word love, you can
rub it all over your body and you
can cook with it too. How do we know
it isn’t what goes on at the cool
debaucheries of slugs under damp
pieces of cardboard? As for the weed-
seedlings nosing their tough snouts up
among the lettuces, they shout it.
Love! Love! sing the soldiers, raising
their glittering knives in salute.

Then there’s the two
of us. This word
is far too short for us, it has only
four letters, too sparse
to fill those deep bare
vacuums between the stars
that press on us with their deafness.
It’s not love we don’t wish
to fall into, but that fear.
this word is not enough but it will
have to do. It’s a single
vowel in this metallic
silence, a mouth that says
O again and again in wonder
and pain, a breath, a finger
grip on a cliffside. You can
hold on or let go.

74, If I Could Tell You © W. H. Auden

Time will say nothing but I told you so,
Time only knows the price we have to pay;
If I could tell you I would let you know.

If we should weep when clowns put on their show,
If we should stumble when musicians play,
Time will say nothing but I told you so.

There are no fortunes to be told, although,
Because I love you more than I can say,
If I could tell you I would let you know.

The winds must come from somewhere when they blow,
There must be reasons why the leaves decay;
Time will say nothing but I told you so.

Perhaps the roses really want to grow,
The vision seriously intends to stay;
If I could tell you I would let you know.

Suppose all the lions get up and go,
And all the brooks and soldiers run away;
Will Time say nothing but I told you so?
If I could tell you I would let you know.

75, Now Sleeps The Crimson Petal © Alfred, Lord Tennyson

Now sleeps the crimson petal, now the white;
Nor waves the cypress in the palace walk;
Nor winks the gold fin in the porphyry font.
The firefly wakens; waken thou with me.

Now droops the milk-white peacock like a ghost,
And like a ghost she glimmers on to me.

Now lies the Earth all Danaë to the stars,
And all thy heart lies open unto me.

Now slides the silent meteor on, and leaves
A shining furrow, as thy thoughts in me.

Now folds the lily all her sweetness up,
And slips into the bosom of the lake.
So fold thyself, my dearest, thou, and slip
Into my bosom and be lost in me.

76, Distances © Philippe Jaccottet

Swifts turn in the heights of the air;
higher still turn the invisible stars.
When day withdraws to the ends of the earth
their fires shine on a dark expanse of sand.

We live in a world of motion and distance.
The heart flies from tree to bird,
from bird to distant star,
from star to love; and love grows
in the quiet house, turning and working,
servant of thought, a lamp held in one hand.

77, Come, and Be my Baby © Maya Angelou

The highway is full of big cars
going nowhere fast
And folks is smoking anything that’ll burn
Some people wrap their lies around a cocktail glass
And you sit wondering
where you’re going to turn
I got it.
Come. And be my baby.

Some prophets say the world is gonna end tomorrow
But others say we’ve got a week or two
The paper is full of every kind of blooming horror
And you sit wondering
What you’re gonna do.
I got it.
Come. And be my baby.

78, Echo © Carol Ann Duffy

I think I was searching for treasures or stones
in the clearest of pools
when your face…

when your face,
like the moon in a well
where I might wish…

might well wish
for the iced fire of your kiss;
only on water my lips, where your face…

where your face was reflected, lovely,
not really there when I turned
to look behind at the emptying air…

the emptying air.

79, Love One Another © Khalil Gibran

You were born together, and together you shall be forevermore.
You shall be together when the white wings of death scatter your days.
Ay, you shall be together even in the silent memory of God.
But let there be spaces in your togetherness,
And let the winds of the heavens dance between you.

Love one another, but make not a bond of love:
Let it rather be a moving sea between the shores of your souls.
Fill each other’s cup but drink not from one cup.
Give one another of your bread but eat not from the same loaf
Sing and dance together and be joyous, but let each one of you be alone,
Even as the strings of a lute are alone though they quiver with the same music.

Give your hearts, but not into each other’s keeping.
For only the hand of Life can contain your hearts.
And stand together yet not too near together:
For the pillars of the temple stand apart,
And the oak tree and the cypress grow not in each other’s shadow.

80, It Is Here © Harold Pinter

What sound was that?
I turn away, into the shaking room.

What was that sound that came in on the dark?
What is this maze of light it leaves us in?
What is this stance we take,
To turn away and then turn back?
What did we hear?
It was the breath we took when we first met.
Listen. It is here.

81, Because She Would Ask Me Why I Loved Her © Christopher Brennan

If questioning would make us wise
No eyes would ever gaze in eyes;
If all our tale were told in speech
No mouths would wander each to each.

Were spirits free from mortal mesh
And love not bound in hearts of flesh
No aching breasts would yearn to meet
And find their ecstasy complete.

For who is there that lives and knows
The secret powers by which he grows?
Were knowledge all, what were our need
To thrill and faint and sweetly bleed?

Then seek not, sweet, the “If” and “Why”
I love you now until I die.
For I must love because I live
And life in me is what you give.

82, We Are Made One with What We Touch and See © Oscar Wilde

We are resolved into the supreme air,
We are made one with what we touch and see,
With our heart’s blood each crimson sun is fair,
With our young lives each spring-impassioned tree
Flames into green, the wildest beasts that range
The moor our kinsmen are, all life is one, and all is change.

With beat of systole and of diastole
One grand great life throbs through earth’s giant heart,
And mighty waves of single Being roll
From nerve-less germ to man, for we are part
Of every rock and bird and beast and hill,
One with the things that prey on us, and one with what we kill. . . .

One sacrament are consecrate, the earth
Not we alone hath passions hymeneal,
The yellow buttercups that shake for mirth
At daybreak know a pleasure not less real
Than we do, when in some fresh-blossoming wood
We draw the spring into our hearts, and feel that life is good. . . .

Is the light vanished from our golden sun,
Or is this daedal-fashioned earth less fair,
That we are nature’s heritors, and one
With every pulse of life that beats the air?
Rather new suns across the sky shall pass,
New splendour come unto the flower, new glory to the grass.

And we two lovers shall not sit afar,
Critics of nature, but the joyous sea
Shall be our raiment, and the bearded star
Shoot arrows at our pleasure! We shall be
Part of the mighty universal whole,
And through all Aeons mix and mingle with the Kosmic Soul!

We shall be notes in that great Symphony
Whose cadence circles through the rhythmic spheres,
And all the live World’s throbbing heart shall be
One with our heart, the stealthy creeping years
Have lost their terrors now, we shall not die,
The Universe itself shall be our Immortality!

83, When You Come © Maya Angelou

When you come to me, unbidden,
Beckoning me
To long-ago rooms,
Where memories lie.

Offering me, as to a child, an attic,
Gatherings of days too few.
Baubles of stolen kisses.
Trinkets of borrowed loves.
Trunks of secret words,

I CRY.

84, Love Letter © Sylvia Plath

Not easy to state the change you made.
If I’m alive now, then I was dead,
Though, like a stone, unbothered by it,
Staying put according to habit.
You didn’t just tow me an inch, no—
Nor leave me to set my small bald eye
Skyward again, without hope, of course,
Of apprehending blueness, or stars.

That wasn’t it. I slept, say: a snake
Masked among black rocks as a black rock
In the white hiatus of winter—
Like my neighbors, taking no pleasure
In the million perfectly-chisled
Cheeks alighting each moment to melt
My cheeks of basalt. They turned to tears,
Angels weeping over dull natures,
But didn’t convince me. Those tears froze.
Each dead head had a visor of ice.

And I slept on like a bent finger.
The first thing I was was sheer air
And the locked drops rising in dew
Limpid as spirits. Many stones lay
Dense and expressionless round about.
I didn’t know what to make of it.
I shone, mice-scaled, and unfolded
To pour myself out like a fluid
Among bird feet and the stems of plants.
I wasn’t fooled. I knew you at once.

Tree and stone glittered, without shadows.
My finger-length grew lucent as glass.
I started to bud like a March twig:
An arm and a leg, and arm, a leg.
From stone to cloud, so I ascended.
Now I resemble a sort of god
Floating through the air in my soul-shift
Pure as a pane of ice. It’s a gift.

85, Serenade © Djuna Barnes

Three paces down the shore, low sounds the lute,
The better that my longing you may know;
I’m not asking you to come,
But—can’t you go?

Three words, “I love you,” and the whole is said—
The greatness of it throbs from sun to sun;
I’m not asking you to walk,
But—can’t you run?

Three paces in the moonlight’s glow I stand,
And here within the twilight beats my heart.
I’m not asking you to finish,
But—to start.

86, To My Dear And Loving Husband © Anne Bradstreet

If ever two were one, then surely we.
If ever man were lov’d by wife, then thee.
If ever wife was happy in a man,
Compare with me, ye women, if you can.
I prize thy love more than whole Mines of gold
Or all the riches that the East doth hold.
My love is such that Rivers cannot quench,
Nor ought but love from thee give recompetence.
Thy love is such I can no way repay.
The heavens reward thee manifold, I pray.
Then while we live, in love let’s so persever
That when we live no more, we may live ever.

87, An Argument © Thomas Moore

I’ve oft been told by learned friars,
That wishing and the crime are one,
And Heaven punishes desires
As much as if the deed were done.

If wishing damns us, you and I
Are damned to all our heart’s content;
Come, then, at least we may enjoy
Some pleasure for our punishment!

88, To the Virgins, to Make Much of Time © Robert Herrick

Gather ye rose-buds while ye may,
Old Time is still a-flying;
And this same flower that smiles today
Tomorrow will be dying.

The glorious lamp of heaven, the sun,
The higher he’s a-getting,
The sooner will his race be run,
And nearer he’s to setting.

That age is best which is the first,
When youth and blood are warmer;
But being spent, the worse, and worst
Times still succeed the former.

Then be not coy, but use your time,
And while ye may, go marry;
For having lost but once your prime,
You may forever tarry.

89, All I Ever Wanted © Katie Ford

When I thought it was right to name my desires,
what I wanted of life, they seemed to turn
like bleating sheep, not to me, who could have been
a caring, if unskilled, shepherd, but to the boxed-in hills
beyond which the blue mountains sloped down
with poppies orange as crayfish all the way to the Pacific seas
in which the hulls of whales steered them
in search of a mate for whom they bellowed
in a new, highly particular song
we might call the most ardent articulation of love,
the pin at the tip of evolution,
modestly shining.
In the middle of my life
it was right to say my desires
but they went away. I couldn’t even make them out,
not even as dots
now in the distance.
Yet I see the small lights
of winter campfires in the hills—
teenagers in love often go there
for their first nights—and each yellow-white glow
tells me what I can know and admit to knowing,
that all I ever wanted
was to sit by a fire with someone
who wanted me in measure the same to my wanting.
To want to make a fire with someone,
with you,
was all.

90, Meeting At Night © Robert Browning

I.
The grey sea and the long black land;
And the yellow half-moon large and low;
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed i’ the slushy sand.

II.
Then a mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, thro’ its joys and fears,
Than the two hearts beating each to each!

91, Poem To An Unnameable Man © Dorothea Lasky

You have changed me already. I am a fireball
That is hurtling towards the sky to where you are
You can choose not to look up but I am a giant orange ball
That is throwing sparks upon your face
Oh look at them shake
Upon you like a great planet that has been murdered by change
O too this is so dramatic this shaking
Of my great planet that is bigger than you thought it would be
So you ran and hid
Under a large tree. She was graceful, I think
That tree although soon she will wither
Into ten black snakes upon your throat
And when she does I will be wandering as I always am
A graceful lady that is part museum
Of the voices of the universe everyone else forgets
I will hold your voice in a little box
And when you come upon me I won’t look back at you
You will feel a hand upon your heart while I place your voice back
Into the heart from where it came from
And I will not cry also
Although you will expect me to
I was wiser too than you had expected
For I knew all along you were mine

92, Poem for My Love © June Jordan

How do we come to be here next to each other
in the night
Where are the stars that show us to our love
inevitable
Outside the leaves flame usual in darkness
and the rain
falls cool and blessed on the holy flesh
the black men waiting on the corner for
a womanly mirage
I am amazed by peace
It is this possibility of you
asleep
and breathing in the quiet air

93, The Kiss © Sara Teasdale

I hoped that he would love me,
And he has kissed my mouth,
But I am like a stricken bird
That cannot reach the south.

For though I know he loves me,
To-night my heart is sad;
His kiss was not so wonderful
As all the dreams I had.

94, The Meeting © Katherine Mansfield

We started speaking,
Looked at each other, then turned away.
The tears kept rising to my eyes.
But I could not weep.
I wanted to take your hand
But my hand trembled.
You kept counting the days
Before we should meet again.
But both of us felt in our hearts
That we parted for ever and ever.
The ticking of the little clock filled the quiet room.
“Listen,” I said. “It is so loud,
Like a horse galloping on a lonely road,
As loud as a horse galloping past in the night.”
You shut me up in your arms.

But the sound of the clock stifled our hearts’ beating.
You said, “I cannot go: all that is living of me
Is here for ever and ever.”
Then you went.
The world changed. The sound of the clock grew fainter,
Dwindled away, became a minute thing.
I whispered in the darkness. “If it stops, I shall die.”

95, To Althea, from Prison © Richard Lovelace

When Love with unconfinèd wings
Hovers within my Gates,
And my divine Althea brings
To whisper at the Grates;
When I lie tangled in her hair,
And fettered to her eye,
The Gods that wanton in the Air,
Know no such Liberty.

When flowing Cups run swiftly round
With no allaying Thames,
Our careless heads with Roses bound,
Our hearts with Loyal Flames;
When thirsty grief in Wine we steep,
When Healths and draughts go free,
Fishes that tipple in the Deep
Know no such Liberty.

When (like committed linnets) I
With shriller throat shall sing
The sweetness, Mercy, Majesty,
And glories of my King;
When I shall voice aloud how good
He is, how Great should be,
Enlargèd Winds, that curl the Flood,
Know no such Liberty.

Stone Walls do not a Prison make,
Nor Iron bars a Cage;
Minds innocent and quiet take
That for an Hermitage.
If I have freedom in my Love,
And in my soul am free,
Angels alone that soar above,
Enjoy such Liberty.

96, She Was A Phantom Of Delight © William Wordsworth

She was a Phantom of delight
When first she gleamed upon my sight;
A lovely Apparition, sent
To be a moment’s ornament;
Her eyes as stars of Twilight fair;
Like Twilight’s, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful Dawn;
A dancing Shape, an Image gay,
To haunt, to startle, and way-lay.

I saw her upon nearer view,
A Spirit, yet a Woman too!
Her household motions light and free,
And steps of virgin-liberty;
A countenance in which did meet
Sweet records, promises as sweet;
A Creature not too bright or good
For human nature’s daily food;
For transient sorrows, simple wiles,
Praise, blame, love, kisses, tears, and smiles.

And now I see with eye serene
The very pulse of the machine;
A Being breathing thoughtful breath,
A Traveller between life and death;
The reason firm, the temperate will,
Endurance, foresight, strength, and skill;
A perfect Woman, nobly planned,
To warn, to comfort, and command;
And yet a Spirit still, and bright
With something of angelic light.

97, A Dream Within A Dream © Edgar Allan Poe

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow —
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand —
How few! yet how they creep
Through my fingers to the deep,
While I weep — while I weep!
O God! Can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

98, Longing © Matthew Arnold

Come to me in my dreams, and then
By day I shall be well again!
For so the night will more than pay
The hopeless longing of the day.

Come, as thou cam’st a thousand times,
A messenger from radiant climes,
And smile on thy new world, and be
As kind to others as to me!

Or, as thou never cam’st in sooth,
Come now, and let me dream it truth,
And part my hair, and kiss my brow,
And say, My love why sufferest thou?

Come to me in my dreams, and then
By day I shall be well again!
For so the night will more than pay
The hopeless longing of the day.

99, Dear One Absent This Long While © Lisa Olstein

It has been so wet stones glaze in moss;
everything blooms coldly.

I expect you. I thought one night it was you
at the base of the drive, you at the foot of the stairs,

you in a shiver of light, but each time
leaves in wind revealed themselves,

the retreating shadow of a fox, daybreak.
We expect you, cat and I, bluebirds and I, the stove.

In May we dreamed of wreaths burning on bonfires
over which young men and women leapt.

June efforts quietly.
I’ve planted vegetables along each garden wall

so even if spring continues to disappoint
we can say at least the lettuce loved the rain.

I have new gloves and a new hoe.
I practice eulogies. He was a hawk

with white feathered legs. She had the quiet ribs
of a salamander crossing the old pony post road.

Yours is the name the leaves chatter
at the edge of the unrabbited woods.

100, The Love Song of J. Alfred Prufrock © T. S. Eliot

S’io credesse che mia risposta fosse
A persona che mai tornasse al mondo,
Questa fiamma staria senza piu scosse.
Ma percioche giammai di questo fondo
Non torno vivo alcun, s’i’odo il vero,
Senza tema d’infamia ti rispondo.

Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question …
Oh, do not ask, “What is it?”
Let us go and make our visit.

In the room the women come and go
Talking of Michelangelo.

The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes,
Licked its tongue into the corners of the evening,
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.

And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate;
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.

In the room the women come and go
Talking of Michelangelo.

And indeed there will be time
To wonder, “Do I dare?” and, “Do I dare?”
Time to turn back and descend the stair,
With a bald spot in the middle of my hair —
(They will say: “How his hair is growing thin!”)
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin —
(They will say: “But how his arms and legs are thin!”)
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.

For I have known them all already, known them all:
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
So how should I presume?

And I have known the eyes already, known them all—
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the butt-ends of my days and ways?
And how should I presume?

And I have known the arms already, known them all—
Arms that are braceleted and white and bare
(But in the lamplight, downed with light brown hair!)
Is it perfume from a dress
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
And should I then presume?
And how should I begin?

Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows? …

I should have been a pair of ragged claws
Scuttling across the floors of silent seas.

And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep … tired … or it malingers,
Stretched on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald) brought in upon a platter,
I am no prophet — and here’s no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it towards some overwhelming question,
To say: “I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all”—
If one, settling a pillow by her head
Should say: “That is not what I meant at all;
That is not it, at all.”

And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
“That is not it at all,
That is not what I meant, at all.”

No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.

I grow old … I grow old …
I shall wear the bottoms of my trousers rolled.

Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.

I do not think that they will sing to me.

I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.

101, Sonnet XXV © Pablo Neruda

Before I loved you, love, nothing was my own:
I wavered through the streets, among
Objects:
Nothing mattered or had a name:
The world was made of air, which waited.

I knew rooms full of ashes,
Tunnels where the moon lived,
Rough warehouses that growled ‘get lost’,
Questions that insisted in the sand.

Everything was empty, dead, mute,
Fallen abandoned, and decayed:
Inconceivably alien, it all

Belonged to someone else – to no one:
Till your beauty and your poverty
Filled the autumn plentiful with gifts.

102, Desire © Alice Walker

My desire
is always the same; wherever Life
deposits me:
I want to stick my toe
& soon my whole body
into the water.
I want to shake out a fat broom
& sweep dried leaves
bruised blossoms
dead insects
& dust.
I want to grow
something.
It seems impossible that desire
can sometimes transform into devotion;
but this has happened.
And that is how I’ve survived:
how the hole
I carefully tended
in the garden of my heart
grew a heart
to fill it.

103, A Red, Red Rose © Robert Burns

O my Luve is like a red, red rose
That’s newly sprung in June;
O my Luve is like the melody
That’s sweetly played in tune.

So fair art thou, my bonnie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a’ the seas gang dry.

Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun;
I will love thee still, my dear,
While the sands o’ life shall run.

And fare thee weel, my only luve!
And fare thee weel awhile!
And I will come again, my luve,
Though it were ten thousand mile.

104, Atlas © UA Fanthorpe

There is a kind of love called maintenance,
Which stores the WD40 and knows when to use it;

Which checks the insurance, and doesn’t forget
The milkman; which remembers to plant bulbs;

Which answers letters; which knows the way
The money goes, which deals with dentists

And Road Fund Tax and meeting trains,
And postcards to the lonely; which upholds

The permanently rickety elaborate
Structures of living; which is Atlas.

And maintenance is the sensible side of love,
Which knows what time and weather are doing
To my brickwork; insulates my faulty wiring;
Laughs at my dryrotten jokes; remembers
My need for gloss and grouting; which keeps
My suspect edifice upright in air,
As Atlas did the sky.

105, I Loved You First: But Afterwards Your Love © Christina Rossetti

Poca favilla gran fiamma seconda. – Dante

Ogni altra cosa, ogni pensier va fore,
E sol ivi con voi rimansi amore. – Petrarca

I loved you first: but afterwards your love
Outsoaring mine, sang such a loftier song
As drowned the friendly cooings of my dove.
Which owes the other most? my love was long,
And yours one moment seemed to wax more strong;
I loved and guessed at you, you construed me
And loved me for what might or might not be –
Nay, weights and measures do us both a wrong.
For verily love knows not ‘mine’ or ‘thine;’
With separate ‘I’ and ‘thou’ free love has done,
For one is both and both are one in love:
Rich love knows nought of ‘thine that is not mine;’
Both have the strength and both the length thereof,
Both of us, of the love which makes us one.

106, Again And Again, Even Though We Know Love’s Landscape © Rainer Maria Rilke

Again and again, even though we know love’s landscape
and the little churchyard with its lamenting names
and the terrible reticent gorge in which the others
end: again and again the two of us walk out together
under the ancient trees, lay ourselves down again and again
among the flowers, and look up into the sky.

“Doubt thou the stars are fire;
Doubt that the sun doth move;
Doubt truth to be a liar;
But never doubt I love.”

William Shakespeare, Hamlet

Choosing 106 best love poems from the entire literary treasure that has existed for at least thousands of years is extremely difficult. This list is only a subjective opinion of the writer. We appreciate the contributions of all readers. Make your suggestions or comments with the comment box below. Thanks very much!

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