(. . .rabid or dog-dull.) Let me tell you how
The Eighteenth Century couplet ended. Now
Tell me. Troll me the sources of that Song—
Assigned last week—by Blake. Come, come along,
Gentleman. (Fidget and huddle, do. Squint soon.)
I want to end these fellows all by noon.
‘That deep romantic chasm’—an early use;
The word is from the French, by our abuse
Fished out a bit. (Red all your eyes. O when?)
‘A poet is a man speaking to men’:
But I am then a poet, am I not?—
Ha ha. The radiator, please. Well, what?
Alive now—no—Blake would have written prose,
But movement following movement crisply flows,
So much the better, better the much so,
As burbleth Mozart. Twelve. The class can go.
Until I meet you, then, in Upper Hell
Convulsed, foaming immortal blood: farewell.
You May Also Like:
- Dream Song I: Huffy Henry Hid The Day
- Dream Song II
- Dream Song III: A Stimulant for an Old Beast
- Dream Song IV: Filling Her Compact & Delicious Body
- Dream Song V: Henry Sats In De Bar & Was Odd
- Dream Song VI: A Capital at Wells
- Dream Song VII: ‘The Prisoner of Shark Island’ with Paul Muni
- Dream Song VIII: The Weather Was Fine. They Took Away His Teeth
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