On the way to his death Benny Demps
complained about what had happened
backstage: when they couldn’t raise a vein
in either arm they went to his groin
which also refused to yield and then
cut his leg open. It was bloody
said the 10 o’clock news on TV
but they finally made connection.
We are shown only the flat
uninhabited metal stretcher
but as the black curtain oozed upward
Benny went on calling for justice
from his tidy blue-sheeted gurney
demanding an investigation
into the pain they had caused him
the botch they had made of his exit.
Now we are given pictures
of victims in Sierra Leone.
The thing about the machete
is how quickly bone and gristle
will dull it, how often
you have to sit down and hone it
to hack off those hundreds of limbs
above or below the elbow.
One village elder was spared his thumbs.
On camera he holds out his arms
to show us what you can do
with two thumbs. Some
of the armless dripping blood
ran into the bush after their attackers
crying, come back, I implore you!
Come back and kill us, please kill us.
The newscast goes blank. Silver
streaks jitter across the screen
which finally fills with merciful snow.
Why are we shown mutilations
and denied execution? I long
to go back and hear out Benny Demps
taxing this vengeful world of slash
and burn and inject, I want
to be there for the last act
in his ruthless life, the scene
we were not permitted to witness,
his naïve six-minute diatribe
against the state, the vitriol
of his soliloquy running down
like a windup toy:
the gentleness of his exit.
from The Long Marriage, W.W. Norton, 2001
Leave a Reply