Every morning I went to her charity and learned
to face the music of her white smile so well
that it infected my black teeth as I escaped,
and those who saw me smiled too and went in
the White Castle, where she is the inviolable lady.
There cripples must be bright, and starvers noble:
no tears, no stomach-cries, but pain made art
to move her powerful red pity toward philanthropy.
So I must wear my objectively stinking poverty
like a millionaire clown’s rags and sing, “Oh I
got plenty o’nuttin’,” as if I made
a hundred grand a year like Gershwin, while
I get a breakfast every day from her for two
weeks and nothing else but truth: she has
a policeman and a wrong sonnet in fifteen lines.
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